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James, and he was featured on four of its soundtrack albums, also making a special appearance in the concert tour Glee Live! In Concert! in 2010.
#Noise from seymour duncan power stage 170 series
He was a recurring guest star in the Fox musical-comedy series Glee (2009–2015) as Jesse St. Groff is also known for his roles in television and film. He also appeared on the cast recording, for which he received a 2016 Grammy Award for Best Musical Theater Album.
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He returned to Broadway in 2015 to play the role of King George III of the United Kingdom in Hamilton, a performance for which he earned a nomination for a 2016 Tony Award for Best Actor in a Featured Role in a Musical. Groff rose to prominence in 2006 for his performance in the lead role of Melchior Gabor in the original Broadway production of Spring Awakening, for which he received widespread acclaim and was nominated for a 2007 Tony Award for Best Actor in a Leading Role in a Musical, becoming one of the youngest nominees for the award, at age 22. Groff is the recipient of a Grammy Award and has been nominated for two Tony Awards, two Drama League Awards, a Drama Desk Award and an Emmy Award. It kills the string noise and fret buzz quite well.Jonathan Drew Groff (born March 26, 1985) is an American actor and singer known for his performances on stage, screen, and television. I also set my LPF between 4-5kHz depending on what I'm hearing in the venue. It just works and you don't even realize that its working until you turn it off, and then you go."OH HELL NO TURN THAT BACK ON".
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If you play soft its smooth.if you play hard its smooth. The only way I can describe it is that its really smooth and doesn't abruptly hack your signal like a lot of other filters do. That damn thing is smooth as silk!!! I don't know what it is about it that makes it stand out but its definitely different than any other filter I've played on.
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As far as the filters I use.the Fractal filters do a really good job, BUT.I have a Broughton Audio H/LPF pedal that is a -12dB/octave (second order) Butterworth response filter. It just depends on the desired end result for the bass tone on the track. For the record most Engineers will add some HPF to the bass tracks. Tweak the filter a little and do it again until it starts cleaning up the way you want it. Play and record a riff for about 20 seconds on your lowest strings and open E or B to see how its coming through. Once again it really comes down to what the Engineer wants and how the tone is coming through the recording. If you're going DI it really depends on the gear and what you're recording through. Smaller rooms are the worst and typically need the filter set a little higher to cut more low end. Mostly likely you will need a bit of filter but you have to play with it some to see how the room reverberates. If you're going to mic the cab then it depends on the room its in when recording. But this also depends on whether your mic'ing or going DI. There's little to no need for the HPF while recording unless the Engineer feels that it needs it. For me since I stopped playing through tube amps and switched to neutral power amps and modeling, the tone still comes through at lower volumes. In the studio it depends on if you're playing through a tube amp, SS or neutral power amp as well as mic'd or DI. You're bandmates and audience will thank you as well. The bass sits in the mix far far better in live venues when you use a HPF. Yes it's mostly to tame the low end boominess in a venue and not muddy the place up.